MUSCLE MEMORY
STATEMENT
This body of work, entitled “Muscle Memory,” is a meditation on the significance of labor and the body in a time increasingly shaped by automation and post-biological ideals. Composed of sculptures and installation work, these pieces represent an extension of my own body, detached from myself. By deconstructing and reassembling my own form, the work poses questions about autonomy, identity, and the significance of the body in the digital age. Through repetitive processes and actions, I think of my labor in creating this work as a form of reclamation over the body and an act of resistance against how information technology shapes identity. While the work is not directly performative, I consider the labor embedded in the making of these works as a kind of quiet performance.
This project is funded in part by the South Carolina Arts Commission which receives support from the National Endowment for the Arts.
Flesh Eater
Stainless steel table, pasta shredder, pigmented silicone
2025
Memory Cards
Resin, human hair
2025
Stitching the Self-Inflicted Wound
The artist’s pillow, cotton thread, pigmented silicone, sewing pins
2025
My Own Flesh and Blood
Pigmented silicone
2024
Sink Her
Cotton yarn, copper fishing weights
2025
Second Skin
Chicken wire mesh, pigmented silicone
2025
Feed
Wire, tin foil, plaster bandages, acrylic paint, pigmented silicone
2025